《Tension and Hollow》
Sound sculpture / Bamboo, Ramie fiber, Rattan, Wood, Aluminum wire, Steel cable, Fishing line, Copper, Iron, Plaster | 250×60×60(cm)
Performance video / 10:28
Musician, Composer / Sayun Chang
2025
Tension and Hollow is both a sculpture and a musical instrument. Wu Sih-Chin created the form while Sayun Chang handled the arrangement and performance. The materials and appearance of the piece bring to mind the natural environment, people, and history of the east coast in a sketch from life of the overall state of that environment and its narrative in an attempt to reveal its hidden nature.
The piece was made with references to bamboo, symbols of the Lalood no Madawdaw (an incident of Indigenous resistance against police oppression in 1911) , the coastal landscape, and culture, playing a song of sensory experiences of the mountains and sea.
The name of the piece not only echoes its physical properties but also serves as a metaphor for the natural and cultural setting there. The blend of form and sound is not about recreating one specific narrative but revealing the multilayered and still-developing vocabulary of the landscape.
《彈性與孔穴》
雕塑／竹子、苧麻、黃藤、木、鋁線、鋼繩、魚線、銅、鐵、石膏 | 250×60×60(cm)
演出影片 ／ 10:28
編曲與演出 ／ 張幼欣
「彈性與孔穴」是一件雕塑，同時也是樂器，作品內容包含了雕塑與聲音的製作，由吳思嶔製作雕塑／樂器，張幼欣進行編曲及演奏。藝術家藉由作品的材料與造型來回應東海岸的自然環境、族群與歷史，如同一幅縱觀「環境」與「敘事」的寫生，嘗試描繪出此域隱匿的地景性格。作品的參照包含「竹子」於「麻荖漏事件」中的符號意義、海岸地貌、族群文化等內容，綜合地衍生出雕塑的形制，成為能夠發出聲響的裝置，鳴奏山海體感的樂曲。「彈性與孔穴」所指涉的不僅是材料的物理特性，也隱喻了東海岸的自然性格與文化紋理，其聲響與造型的生成，不著重於再現單一敘事，而是透過材料與聲音的交織，揭示出此地複層而未竟的地景語彙。